Fri Mar 24 2017
Doors: 8:00 pm / Show: 9:00 pm
$29 - $49 (Fees Included)
This event is 14 and over
Goes Great With: Michelle Branch, Jewel, Natasha Bedingfield
American singer, songwriter and pianist best known for her hit song, "A Thousand Miles" the first single from her platinum-selling debut album Be Not Nobody (2002).
Doors @ 8 | Tristen @ 9 | Vanessa Carlton @ 10phttp://www.granadatheater.com/event/1400160/
“It’s a calm record,” Carlton says. “I didn’t want any angst in there. I thought, ‘What would I want to hear back? What would make me feel better in my darker times?’ Even a phrase like ‘take it easy,’ which is in a million songs, brings happiness. This album leans toward seeing the good in humans and in the world.”
Carlton began writing in the summer of 2012, beginning with “Unlock The Lock,” an evocative piano-driven track that set the tone for the songs to come. She’d recently finished touring 2011’s Rabbits On The Run, an album conceived through inspiration from Stephen Hawking’s A Brief History of Time and Richard Adam’s Watership Down. Carlton found herself in the desert and the song emerged, reflecting a newly revealing songwriting sensibility for the artist. “I imagined a group of people listening to it,” she says. “It was the first time I ever wanted to make something like séance music – something that would make a human brain feel at ease, something that would feel right in an everyday ritual. I also realized I wanted the record to be really soothing lyrically and not so much a reveal of me.”
The musician followed that thread as she continued writing for the next year and a half, this time inspired by books like Joseph Campbell’s The Power of Myth and Aldous Huxley’s The Doors of Perception. Carlton’s primary influence, however, was a colorful oil painting by her grandfather Alan J. Lee, who was originally named Liberman. The painting, created in 1963, hangs in Carlton’s home and showcases three woman captured in swirling pastel colors. She wrote many songs while looking at the image, eventually deciding to call the album after her grandfather.
“The swirly colors of that painting reminded me of the music and the music reminds me of those colors” Carlton notes. “Then I looked up what Liberman means and it’s ‘honorable man’ and ‘my beloved’ – all these things that just felt right to me. It’s a strong family name that, in a weird way, describes the music to me.”
At the end of 2013, Carlton gathered her songs and decamped to Real World Studio in Box, England to work with producer Steve Osborne, who’d helmed Rabbits On The Run. In the studio, Carlton and Osborne focused on the sound, on creating layers of instrumentation with classic gear that veer away from crisp pop production and reference artists like Air. For Carlton, who began her career with several albums at the mercy of prescribed aesthetics, emphasizing the art of space and sonic beauty felt like the next step. This shift is revealed particularly in the trippy ambience of “House of Seven Swords” and the moody “Ascension,” which builds a soundscape outward from the piano at its center.
Carlton rounded out the album in Nashville, the city she now calls home, with producer Adam Landry who worked on three tracks. Carlton’s husband, Deer Tick front man John McCauley, played on several songs throughout the process, including “Take it Easy,” "Ascension" and “Matter of Time.” The latter is stripped of instrumentation and highlights Carlton’s voice as it soars over McCauley’s delicately plucked electric guitar, reminiscent of the old school vocal recordings of Dusty Springfield. As a whole, Liberman feels like a new chapter in Carlton’s storied career, revealing new facets of her musical skill and instigating fresh inspirations. Stagnancy, she knows, is the antithesis to creativity.
“Martin Scorsese said sometimes your greatest challenge is not your failure but your success,” Carlton says. “In a way I was able to persevere after having a success out of the gate and figure out a path that feels really pure to me. But I had to create this environment where I felt comfortable changing. When I was first doing records I was so young and I wanted to please everyone. But now I sort of feel ancient and I love it and I just want to make art for its own sake. Whether I fall on my face or not at least I know I did it. Everything I’ve done and everything I am is there in the songs.”
Tristen grew up on the south side of Chicago, the grandchild of immigrants. Singing since she could speak, by the time she was a teenager she began writing her own songs and recording. She went on to study communication theory at DePaul University until the combination a failed marriage engagement and a deep love for David Bowie inspired her to move to Nashville to try to make it as a songwriter.
Quickly gaining attention in Nashville for being "a new breed of female songwriter", local shows turned into national touring, and before long Tristen gained a reputation for having a "preternatural sense of melody, energetic live shows and emotive vocals " (American Songwriter) and bringing along Nashville's hottest musicians as her backing band. Both of her albums were named the best local album by the Nashville Scene and placed in American Songwriter's top 50 albums of their respective years.
Tristen has emerged as a truly individual songwriter, bridging genres and emotions to create a distinctive sound all her own. Her finely honed modern pop is rich with exquisite arrangements and a remarkably intuitive lyrical approach. Tristen spent 2015 as a backing singer and keyboard player in Jenny Lewis's band and released her first book of poetry, Saturnine, in 2016 which features a foreword by rock and roll poet Ezra Furman.
Tristen's new record Sneaker Waves is due out in 2017.